Story of a Living City


“The making of Connaught Place was revolutionary for its time as it was built with private investment, and the blocks were sold individually. But the design was done by the government,” says Liddle.

The iconic procuring and leisure remnant of the colonial Capital is bustling. Roadside distributors name out to potential consumers, showrooms show reductions and other people ramble in regards to the many eating places and bars. We are strolling together with historian and creator Swapna Liddle, who has a map from the 1960s. “Can you believe there was an Austro-Hungarian restaurant, La Boheme, that was run by the Nirula’s here, in the 1960s? I think there’s a Haldiram’s there now,” she says. Connaught Place (CP) was a procuring advanced for the elite, she says, pointing to the commercial of Enid, that bought “charming evening frocks, afternoon frocks, suits and millinery”. She has reproduced it in her newest guide, Connaught Place and the Making of New Delhi (Rs 499, Speaking Tiger). After recounting the story of Shahjahanabad in Chandni Chowk: The Mughal City of New Delhi (2017), Liddle begins the story of New Delhi at the start, when the concept of shifting the capital from Calcutta to Delhi first struck the colonial rulers. It examines the method of its planning and constructing, individuals who performed essential roles, the social life and its eventual transformation over time. “Unlike Shahjahanabad, New Delhi is not a walk-able city, it was built in the age of motor car,” says Liddle, as we stroll round CP, basking within the winter solar. It is as a tribute to architect Edwin L Lutyens, who was instrumental in planning the world, that we name it Lutyens’ Delhi.

Connaught Place (CP) was a procuring advanced for the elite, she says, pointing to the commercial of Enid, that bought “charming evening frocks, afternoon frocks, suits and millinery,” says Swapna Liddle (Express picture by Tashi Tobgyal)

“The making of Connaught Place was revolutionary for its time as it was built with private investment, and the blocks were sold individually. But the design was done by the government. Even if you look at the palaces of the princely states, the architecture was dictated by the board of architects so that it would gel with other buildings,” says Liddle, who has additionally written Delhi: 14 Historic Walks (2011) and is the conveyor of the Delhi chapter of Indian National Trust for Art and Cultural Heritage (INTACH).

As we stroll to the Central Park, she reckons how the open space throughout the inside circle was coated by expansive lawns, and within the centre was a bandstand, just like these in lots of British colonial stations in India. “Music was played every Saturday from the middle of October to mid-April, during the Delhi season, when officials descended from their summer sojourn in Shimla,” she says. When we attain the Regal theatre, which was shut down in 2017, Liddle says that the constructing was additionally fairly forward of its time. Similar to the shops of right this moment, Regal at the moment, housed eating places, retailers and a film theatre. “I think spaces like CP and Khan Market, maybe upmarket shopping complexes, are better than the malls for they are more inclusive. If there is a fine-dining restaurant, there is also a fruit seller with his push cart,” she says.

Charting the modifications within the colonial metropolis, she says that post-independence, aside from the names of the roads being modified and statues being eliminated, there was an growth of workplace areas and housing complexes. “Buildings like Nirman Bhavan and Udyog Bhavan were built then and colonies like Kaka Nagar, Bapa Nagar, and Pandara Park came up. The area what has now become Pragati Maidan, was supposed to be for fuel plantation, but the Indian government wanted a space for trade fairs,” she says.

There are archival pictures within the guide which present the villages that inhabited the now inexperienced lawns of Purana Qila and Humayan’s Tomb advanced.

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