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Raghu Rai, Raghu Rai photography, photographer Raghu Rai, All India Fine Arts & Crafts Society, AIFACS, AIFACS New Delhi, AIFACS Art Gallery, art and culture, Indian Express
{A photograph} by Namrata Chaudhary

IT was in 1977 when famous French humanist photographer Henri Cartier-Bresson appointed his protege Raghu Rai — a younger photojournalist on the time — to Magnum Photos. The relaxation, as they are saying, is historical past. More than three many years later, the Raghu Rai Center for Photography is coaching younger photographers in the sector of social, cultural and political images, in the type of the legendary photographer himself. Every 12 months, a few of their works are exhibited to present them a wider publicity.

In its seventh version, the exhibition, this 12 months, options works of 21 college students, protecting genres resembling road and documentary, landscapes, photojournalism, portraits, picture tales, vogue and product images. Apart from 62 standalones, there are eight picture tales — on the Kumbh Mela in Prayagraj, 2019 General Elections and the Sikh pageant of Jor Mela.

As a baby who grew up in Allahabad (now Prayagraj), Naman Agrawal was all the time intrigued by the Kumbh Mela — how his metropolis reworked throughout these 90 days, with hordes of sadhus and guests. So, he says, it got here naturally to him to attend the Kumbh Mela earlier this 12 months to {photograph} what he noticed. Five of his photos kind the collection “The Divinity of Kumbh”. “I visited the Kumbh four times this year and took hundreds of pictures,” says Agrawal. The photographs have the ‘Shahi snan’ of Naga sadhus, individuals taking a dip in the Ganga, and one other {photograph} that captures a wall portray of samudra manthan, the legendary occasion that’s believed to have led to the Kumbh.

Raghu Rai, Raghu Rai photography, photographer Raghu Rai, All India Fine Arts & Crafts Society, AIFACS, AIFACS New Delhi, AIFACS Art Gallery, art and culture, Indian Express
Mahak Bhalla’s vogue portraits

Like Agrawal, Patiala-based Money Saxena additionally goes again to his childhood reminiscences of witnessing the annual Jor Mela in Fatehgarh Sahib. “For the three days the mela was held in December last year, I shot continuously. I would have taken hundreds of pictures of the procession, the chivalry displayed during gatka and thousands partaking the langar,” he says about his five-piece collection “Jor Mela”.

The highest contributor, with 15 works in the exhibition, Mahak Bhalla, travelled extensively in the course of the 12 months — to Mumbai, Delhi, Shimla and Rishikesh — to seize the streets, landscapes and the faces she discovered fascinating. Some of her vogue images are additionally on show.

The collection “Choice of India”, in the meantime, covers the most important occasion of the 12 months — the final election — with contributions from a number of photographers. In a photograph collection titled “A Kalasham”, Aditya Satheesh captures a preferred pageant in Kerala.

The curator of the present, Nitin Rai, director of the centre, says, “This year, we have various genres of photography, which includes landscape, portrait, street, photojournalism, photo series, fashion and product — giving the students a bigger market for assignments and jobs. Most importantly, it covers all the important incidents that took place in India in the last one year.”

The exhibition is on until September 19 at AIFACS, Rafi Marg, New Delhi, from 11 am to 7 pm

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