YOU KNOW you’re at a trend week venue when designer Manish Malhotra will get mobbed by a bunch of college students looking forward to selfies. At Jio Gardens in Mumbai, on Day One of the Summer-Resort version of Lakme Fashion Week (LFW), the climate was noticeably hotter and so had been the vibes. The day noticed a line-up of summer time collections that tried to strike a steadiness between creativity and commerciality. Here are some highlights:
Delhi-based couturier Varun Bahl returned to LFW after 4 years to launch his ready-to-wear line Varun Bahl Pret. A line of straightforward separates in mild materials and summery colors, the debut assortment noticed Bahl take his trademark thrives and pare them right down to the naked necessities. So, whereas his signature florals made their presence felt in printed, laser lower and applique kinds, the pastel color story of classic pink, pale inexperienced, blue, gray and ivory remained in acquainted territory too. Bahl offered sparingly embellished T-shirt neck tunics, smocked turtleneck blouses, laser-cut 3D floral applique shrugs, drop-waist clothes, gathered gharara pants and cropped culottes, however his delicately appliqued signature bomber jackets had been, by far, our favourites. Set to be priced between Rs 5,000 and Rs 25,000 we are able to see these flyaway, breezy kinds flying off the cabinets quickly.
The experiential and experimental Studio house at LFW, turned the venue for an fascinating #ArtMeetsFashion present the place 4 designers offered collections impressed by artwork, incorporating inventive methods to rework materials into canvas meant to current their points-of-view. Ajay Kumar Singh’s assortment Aquesthetic, which aimed to “explore the aesthetic of an aquatic body”, used narrative prints and projected photographs to create a surreal underwater expertise. His trademark hyperprints had been labored into fashionable separates like cowled tunic shirts, trench coats, bombers and fits with nautical parts like stripes, anchors and ropes. Helena Bajaj-Larsen offered an summary canvas and employed varied dyeing methods to create gradations and brushstrokes. Tailored items akin to sharp jackets, jumpsuits, clothes and micro pleated skirts added a touch of sophistication to the deep purple, black and metallic hued line. Yadvi Agarwal of Yavi, who debuted on the GenNext present final season, used a collage of Impressionist brushstrokes, textured thread embroidery and recycled patchwork items with Kantha embroidery to create a dreamy and kooky line of smocks, jackets, cropped trousers and overlays. Ayushman Mitra of Bobo Calcutta offered his signature sprint of saturated color and mega prints derived from his artworks. Splashes of sequins and embroidery punctuated the digital print explosion on separates like ponchos, shorts, crop tops and tunics. Though the designers let their imaginations run wild, they did reign of their creativity to supply concisely edited and industrial collections.
Adding an fascinating sidebar to the inclusivity dialog was Muneeba Nadeem, an INIFD graduate from Kanpur, who, as half of the institute’s “Launchpad” initiative at LFW, showcased a group of separates together with hijabs, kaftans, tunics and chadors. Making a case for modest trend, albeit in a trendy method, it was a commendable first effort by Nadeem.